Writing for an animated film is like painting on an infinite canvas—there are literally no bounds. You don’t have to worry about expensive or dangerous stunts, keeping your sets small for the sake of ...

An Edinburgh TV Festival panel explored the use of high-budget film techniques in TV drama SyFy’s much-lauded Happy! (pictured above) and Channel 4’s Kiss Me First (pictured below) are just two of the ...

Color in 2D animation is more than decoration—it’s a storytelling powerhouse. From setting mood to guiding the viewer’s eye, thoughtful palettes and scripts bring depth and cohesion to animated worlds ...

For 2014 we are accepting scripts by genre and for the next Script Room (Script Room 7) we will be accepting the following: CBBC - Children’s drama, comedy or animation scripts for TV. These must be ...