Balanchine regarded Apollo as his artistic coming of age. He said that through the creation of this work, he learned he could "dare not use all my ideas, that I too, could eliminate. . . to the one ...
Balanchine regarded Apollo as his artistic coming of age. He said that through the creation of this work, he learned he could "dare not use all my ideas, that I too, could eliminate. . . to the one ...
Performances in N.Y.C. Roman Mejia, a New York City Ballet principal, shows how bravura and subtlety can exist side by side in a season that includes a sparkling “Apollo” debut. Credit... Supported by ...
NEW YORK — New York City Ballet opened its winter season Tuesday with the birth of a god. Or, rather, since the company uses the version of George Balanchine’s “Apollo” that skips the birth scene, the ...
In the George Balanchine canon, there is only one god. His name is Apollo. This title role is conferred upon only a few at New York City Ballet. Those who are cast in this Stravinsky ballet are the ...
What a bonus it is that, in this centennial year of George Balanchine's birth, we have witnessed not only fine performances drawn from the choreographer's unrivaled body of works but also, finally, ...
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