In 1987, the American artist Keith Haring, known for his signature bright, cartoonish style, created five digital drawings on a chunky personal computer. Since then, these images have been stored on ...
Should we look at digital, computer-generated artwork in the same way we evaluate performative happenings? Can electronic generative art be interpreted as performance with machines instead of bodies?
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback