A behind-the-scenes look at James Cameron's sci-fi blockbuster "Avatar: Fire and Ash" and how its Oscar nominated visual ...
Shunning the Spielbergian practice of withholding a titanic presence from the audience (à la “Jaws” or “Jurassic Park”), Prime Video’s “I’m a Virgo” shows you its titan, a massive baby named Cootie, ...
Based on the 2005 animated Nickelodeon show of the same name, Netflix’s “Avatar: The Last Airbender” takes place in a fantastical world occupied by benders, people with the ability to control and ...
Ahead of the Visual Effects Society's 2025 nominations, the vet talks to The Hollywood Reporter about building the Bullet Farm, Gas Town and The Citadel, and doing face replacement work on the young ...
“Because of the sensitive nature of what we were filming, I really felt an additional weight of responsibility [to have the viewer] not be distracted by the visual effects,” says VFX supervisor Ben ...
Collider's Perri Nemiroff speaks with Kingdom of the Planet of the Ape director Wes Ball and the Oscar-nominated VFX team Erik Winquist, Paul Story, and Danielle Immerman in an exclusive Q&A. The team ...
Creative Bloq on MSN
How the visual effects team made fire feel real in The Lost Bus
Making wildfire visual effects for Apple TV's hit disaster movie.
When veteran Marvel visual effects supervisor Christopher Townsend — who has Oscar nominations for “Iron Man 3,” “Guardians of the Galaxy Vol. 2” and “Shang Chi and the Legend of the Ten Rings” — made ...
Fire and Ash" discuss their work on different films and contemplate the future of VFX in cinema - is everything possible now?
Some results have been hidden because they may be inaccessible to you
Show inaccessible results