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Becket Redfellow (Glen Powell) is no ordinary convicted man on death row, and not just because he wears a satin slumber mask with his prison coveralls. The story he tells, to a visiting priest (Adrian ...

What would you do if you had a few siblings standing in the way of you being a billionaire? Definitely not kill them, right? But that’s the story in “How to Make a Killing,” and we’re here with all ...

The actor stars in this comedy with a high corpse count, but the movie’s lightness soon becomes forced. By Manohla Dargis When you purchase a ticket for an independently reviewed film through our site ...

“How to Make a Killing” begins breezily enough, with the ever-charming Glen Powell making jokes about cheesecake as he sits in a Death Row prison cell, awaiting execution in a few hours. Wait, what?

Margaret Qualley, Ed Harris and Topher Grace also appear in John Patton Ford's reimagining of the classic 'Kind Hearts and Coronets.' By Frank Scheck Trying to find your niche as a movie star isn’t ...

You needed a website up and running yesterday. Your boss is asking for updates. Potential clients are waiting. Every day without an up-to-date online presence feels like lost revenue. Here's the good ...

The audio version of this article is generated by AI-based technology. Mispronunciations can occur. We are working with our partners to continually review and improve the results. Glen Powell appears ...

"Emily the Criminal" filmmaker John Patton Ford loosely adapts "Kind Hearts and Coronets" for a star-packed outing hobbled by an oddly dull script and a tone that (unfortunately) matches it. There are ...

The director of the Glen Powell revenge comedy also reveals executives were worried about the leading man changing his look for the role: "He went on a crazy diet and lost a lot of weight. He even ...

Sam Illingworth does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

Glen Powell’s mega-watt charisma made Hit Man a romantic-crime-comedy hit and Twisters more fun than an unimaginative redux had any right to be. But it couldn’t enliven last year’s creaky Chad Powers ...