明萬曆四十七年（西元1619年）關帝聖像，自關公故里山西解州關帝祖廟啟程，開啟跨越晉、粵、閩三地的南巡文化之旅。十六抬明制鑾駕肅穆隨行，金漆紋飾在日輝下流光熠熠，以忠義精神貫穿山河，連繫古今。 In the forty-seventh year of the Wanli reign of the Ming Dynasty (1619 CE), the sacred statue of Lord Guan embarked on a southern pilgrimage from the Ancestral Temple of Guandi in Xiezhou, Shanxi—his birthplace—traveling across the provinces of Shanxi, Guangdong, and Fujian. The journey was solemnly accompanied by a sixteen-bearer Ming-era imperial palanquin procession, its gold-lacquered carvings gl
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明萬曆四十七年（西元1619年）關帝聖像，自關公故里山西解州關帝祖廟啟程，開啟跨越晉、粵、閩三地的南巡文化之旅。十六抬明制鑾駕肅穆隨行，金漆紋飾在日輝下流光熠熠，以忠義精神貫穿山河，連繫古今。 In the forty-seventh year of the Wanli reign of the Ming Dynasty (1619 CE), the sacred statue of Lord Guan embarked on a southern pilgrimage from the Ancestral Temple of Guandi in Xiezhou, Shanxi—his birthplace—traveling across the provinces of Shanxi, Guangdong, and Fujian. The journey was solemnly accompanied by a sixteen-bearer Ming-era imperial palanquin procession, its gold-lacquered carvings gl
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